Etat Libre d'Orange The Ghost In The Shell Eau de Parfum

$212⁰⁰ NZD

Size

50ml 100ml 1ml Sample

By mixing biotech and natural materials, this perfume silently celebrates the wake of the future and also whispers of a day to come, by providence or chance, when humanity is reunited and organised. A day when all consciousness is summoned by the infosphere to constitute a superior being and pass from the inert to the living. As the molecules assemble to make the living, we will then make a qualitative leap that becomes the starting point and arrival of transhumanism. This perfume is the future, it is a blend of cutting-edge synthetics and natural fragrant materials to achieve flesh-and-machine synthesis. The Ghost in the Shell, a perfume that speaks of the human phenomenon and its paradox, a perfume to wear on oneself ab libitum, at one’s pleasure. A perfume as a propagation towards the other, that makes you the axis and the arrow of evolution; modern, indeed! From the bottom of the matter, rise up.

Biotech materials meet jasmine and musk — pure future. Unmistakably strangely alive.

Notes

Milk Skin Aquatic Notes Yuzu Jasmine Hexyl acetate Orcanox Vinyl Guaiacol Mugane Moss

Wear profile

Longevity

Intensity

Best for Day

Season Spring · Summer

Details

Family	Mossy Woods
Country	France
Year	2021
Concentration	Eau de Parfum

Description

Fragrance Family:
Mossy Woods

Notes:
Aqual, Yuzu HE, Hexyl Acetate (MANE Biotech), Jasmin Absolute, Mugane, Milky Skin Accord, Moss Accord, Vinyl Gaiacol (MANE Biotech), Orcanox

Concentration:
Eau de Parfum

Occasion:
Ultra modern milky musks, futuristic and unique: the perfect all-season all-occasion signature.

Made in France

Editor's Notes

Ghost in the Shell is pure future, an accelerated leap into new olfactory territories and the glorious result of grafting ultra-modern materials onto familiar ones - producing an unmistakable strangeness. To describe the smell of Ghost in molecular terms seems inevitable, but not very telling. Ghost is to be smelled and felt: its initial impression is a splice of jasmine weaved between sharp and shiny yuzu and creamy lactonic musks, ranging the gamut from ozonic, aquatic, and artificial. It is dominated by a metallic effect - prominent at the top and persistent into the base. It is somewhat unnerving, working over the surface of the natural, causing its partial disappearance. A combination of citrus, milk, and metal - it disturbs yet soothes after a while; it is weird yet mesmerising. It will call to mind vinyl, rubber, rainstorms, plastic, milky skin, merging all of these materials in an transcendent act - Ghost simulates, on our skin, a cybernetic play - the machine is realised on our skin. It is poetic, dream-like, yet alienating. Ghost reiterates the reminders, or the warnings, of the theorists of the postmodern: technology is an extension of the body … and after a while, nature disappears. Between utopia and dystopia, Ghost is the liminal stage in this sequence - a new vision of the body entirely.